In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.!

“Did you have a good house?” the girl asked him. “Saw you from the distance, waving your arms about. Hadn’t time to stop.” He raised his eyes to hers. The shadow that, to her fancy, had always rested there seemed to have departed. A light had come to them.

“You go,” she said. “I’ll stroll on quietly.” “Oh, we can all persuade ourselves that we are the Heaven-ordained dictator of the human race,” he answered. “Love of power is at the bottom of it. Why do our Rockefellers and our Carnegies condemn themselves to the existence of galley slaves, ruining their digestions so that they never can enjoy a square meal. It isn’t the money; it’s the trouble of their lives how to get rid of that. It is the notoriety, the power that they are out for. In Carleton’s case, it is to feel himself the power behind the throne; to know that he can make and unmake statesmen; has the keys of peace and war in his pocket; is able to exclaim: Public opinion? It is I.” “No,” answered Joan. “Surely you’re not one?”